Decorative Arts of Austria in the 18th and 19th Century: Tradition and Refinement

6 products

6 products
Biedermeier Secretaire abattant, 19th-century, mahogany and oak, shown in full – Nicholas Wells Antiques
Alternative view of the Biedermeier Secretaire abattant, 19th-century, mahogany and oak
Biedermeier Secretaire abattant
Two ebonised Viennese Secessionist settees with original striped velvet upholstery – Nicholas Wells Antiques
Alternative view of the Two Ebonised Viennese Secessionist Settees, 20th-century
Two Ebonised Viennese Secessionist Settees
Early 19th century flame mahogany Biedermeier sofa with ornate wood and patterned upholstery – Nicholas Wells Antiques
Alternative view of the Early 19th Century Flame Mahogany Biedermeier Sofa, photographed from another angle
Early 19th Century Flame Mahogany Biedermeier Sofa
A Black Japanned and Gilt Viennese Umbrella Stand, shown in full – Nicholas Wells Antiques
Alternative view of the Black Japanned and Gilt Viennese Umbrella Stand, photographed from another angle
A Black Japanned and Gilt Viennese Umbrella Stand
An Art Deco cast iron Thonet occasional table, circa 1930, shown in full – Nicholas Wells Antiques
Alternative view of the Art Deco cast iron Thonet occasional table, circa 1930, photographed from another angle
An Art Deco cast iron Thonet occasional table
£POA
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Terracotta Cold Painted Austrian Standing Pug Dog, circa 1870, glass, shown in full – Nicholas Wells Antiques
Terracotta Cold Painted Austrian Standing Pug Dog
£POA

During the 18th and 19th centuries, Austria, under the Habsburgs, was a centre of decorative arts marked by Baroque and Rococo opulence. Court patronage fostered exquisite craftsmanship in gilded furniture, religious objects, tapestries, and textiles, reflecting imperial power and Catholic devotion.

The influence of Viennese neoclassicism and later Biedermeier design brought a shift towards refined domestic elegance—celebrated in interiors, porcelain, and ornamental arts that balanced luxury with restraint.

Austria’s decorative traditions from this era shaped European tastes, blending courtly grandeur with evolving urban sophistication.

image: Jan Thomas, Emperor Leopold I and Infanta Margaret Theresa, 1667, oil on copper, Kunsthistorisches Museum, Vienna.
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